- #CAPTURE ONE REVIEW MAC OS#
- #CAPTURE ONE REVIEW FULL#
- #CAPTURE ONE REVIEW PRO#
- #CAPTURE ONE REVIEW SERIES#
If, however, you find your own system is missing from the list of ProStandard supported profiles, now is the time to get in touch with Capture One Support and raise it as a support request. Of course, you can still apply another camera’s ICC profile to your image – and I know people who have a lot of fun doing so. While the differences may appear small, when printed, they represent a more realistic, genuine and richer representation of the scene I captured at the time. To me, this is actually one of the biggest changes – as it saves me time “correcting” a raw file back to what I saw. It’s been a long time coming, but Capture One 21 introduces brand new profiles for the most used camera systems on their platform (with many more to come in future) which provide more realistic colour rendition, tone transition and depth when it comes to rendering what we captured out in the field. It’s not really last, and it’s certainly not “least”, as from my perspective the revised ICC profiles really were the “unsung heroes” in this release.
#CAPTURE ONE REVIEW MAC OS#
In our guide, we walk through both Mac OS and Windows keyboard combinations that can be used to make your brush shape, size and behaviour transitions as smooth as possible while drawing – without the need to take your eye off the image. Well, Capture One 21 fixes that frustration with the introduction of shortcut-based brush changes, which correspond with other pixel editing applications for a seamless transition between the two.
#CAPTURE ONE REVIEW FULL#
In our video, we show the full set of adjustments enabled by default, as well as the nuances of using the tool to edit multiple images at once.įed up of constantly right-clicking to make adjustments to the brushes you use to draw masks?
#CAPTURE ONE REVIEW SERIES#
Simply by holding down one of a series of keys and moving your mouse, you’ll find your choice of adjustment slider moves in turn. One argument for including this new feature is the increase in popularity of external “controllers” – dials, sliders, buttons and switches – that people have used to augment their post-processing systems in the name of workflow efficiency.īy introducing an array of customisable shortcut keys, combined with mouse/pen/cursor movements, the team at Capture One have essentially turned everyone’s existing desktop into a hands-on editing suite, and I must say it’s rather efficient.
#CAPTURE ONE REVIEW PRO#
While the idea of simply “adding more fog” is rather sad – and let’s not fall in to the trap of creating scenes that never happened – the ability to enhance or clarify the effect of mist and haze in the air, at times could come in rather handy.Īlso new into Capture One Pro 21 is the “Speed Edit” feature – a shortcut-centric way to make adjustments to one or more images without needing to move your eyes from the content in the process. Of course, one thing it can also do, ironically – is add haze to an image. Yes, it’ll try to deliver a quick-fix in “auto” mode, but the real power of this tool comes into play when you start manually selecting the shadow tones and adding clarity and HDR adjustments to fine-tune the end result.
With the new dehaze function in Capture One 21, however, the developers have been quite clear: This is not to replace other tools, it’s there to supplement. What those tools deliver in speed, they tend to compromise on quality.
It’s fair to say I’m not a big fan of “one-click” solutions when it comes to getting the best out of your images. To help with the transition, I’ve added another of my “ Pro Tips” videos to our YouTube channel as a guided review – describing and demonstrating each of the new features – ready for you to start playing with:
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